Whole thing starts when you get to the gate. The animal must be killed in a certain way and the person who kills the animal must be killed a certain way.Something else we have in common: flying on the airlines, and listening to the airlines’ announcements, and trying to pretend to ourselves that the language they’re using is really English. And then there’s Glatt Kosher, which is ultra conservative. There’s Kosher-the meat must be killed in a certain ritualistic way. It throws them into chaos and they deserve that. He hosted a talk show on USA cable in the mid 80’s and performed in a one-man show as the “Child of the 50’s, Man of the 80’s.” Klein was now the voice of the disillusioned hippies who cut their hair short and joined the establishment, as well as the middle-class who already were mired in the lives of their parents, and the middle-aged looking for someone to sympathize with them-someone who still had enough energy to gripe to them about the frustrations of married life, exercise, childbirth, and such old Alan King favorites as air travel: The aging Klein fit into a new category: Yuppies. Older audiences warmed up to Carlin, David Brenner and Jay Leno. Young fans were responding to Rodney Dangerfield, Joan Rivers and Jackie Mason. In the late 70’s and through the 80’s, the once fierce battle lines between young performers and old-timers eroded. Not only did he get occasional sitcom guest spots, he appeared in several films and starred opposite Lucie Arnaz in the hit Broadway musical “They’re Playing Our Song.” Always a frustrated singer, Klein insisted on performing some comic versions of 50’s doo-wop and 60’s crooning in his shows.
GEORGE CARLIN YOUTUBE AIRPLANE SAFETY TV
While making his perilous way through the generation gap, Klein always looked to widen his appeal with acting roles, though he avoided TV sitcoms and turned down the role of Trapper John for the video version of “MASH.” His dramatic training was appreciated. The key hit the ignition with the motor whispering “please-don’t-try-to-start-me” and when it turned, the motor let out a high-pitched “Leave me a-loooooone!” What’s the other 90%? You’d be better off with paint thinner!” His more cartoonish humor, the kind of thing George Carlin’s crowd might like, included his hysterical sound portrait of a car trying to start on a cold morning. His one-liners had the caustic bitterness of Alan King and the attacks were against safe targets: “Hawaiian Punch is 10% fruit juice. He was too straight-looking for the Carlin crowd, too brash and hip for the older audiences. The old school of comics were still in power, typified by Alan King appearing on “The Ed Sullivan Show.” There were few “counter-culture” young comics like George Carlin, and these worked mostly in front of college crowds or opening for rock acts. Briefly a member of Second City (1965-66), Klein found his best success in stand-up, but these were strange times for a newcomer. While struggling as an actor (he appeared on Broadway in “The Apple Tree” in the late 60’s) he taught school. Klein had gone from the Bronx’s De Witt Clinton High School to the Yale Drama School.
It says, “See Office seeker, disappointed.’” Every time you read his name: James Abram Garfield, “Shot by a disappointed office seeker…” You look in the Encyclopedia Britannica under Garfield, James Abram. Shot by a disappointed office seeker, right? Don’t they always say that same sentence? It’s crazy.
His first and best album, “Child of the 50’s,” was loaded with bits of trauma, from air-raid drills and meeting a drunken baseball idol, to watching “Our Gang” and reading confusing stories about historical figures: “Garfield was assasinated. Twenty years later he was still seething: “If I had the moxie to say, ‘Relax, lady, I’m only five, I’m essentially impotent, I have no desire for you…’ It’s humiliating enough to be in here!” In the 60’s, while King was raging about doctors and airlines, Klein was chagrined recalling the indignities of teachers and parents the misery of being “a child of the 50’s.” He bitterly recalled not being able to go to the men’s room alone at 5, and enduring the stares of women as his mother marched him into the ladies room. Usually appearing glum and annoyed, Robert Klein began his career as an Alan King for the college crowd.
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